It’s strange how the world can change so much in such a short period of time. Not only the events of our day to day lives, but our perceptions of the world around us and our theories for dealing with it can differ so vastly to what was once thought was truth. Ancient philosophers and rhetoric theorists enjoyed relatively simple communication theories, because they experiences relatively simplified communication systems. Individuals lived and conversed with each other, but beyond the occasional governmental decree, public event, or orator’s speech, “mass media” was not yet developed enough to complicate everything. With the appearance of more multi-media than anyone could ever fully utilize, the very definition of “rhetoric” has changed. Rather than public oral presentations, rhetoric is described as any form of persuasive communication at. A speech, a newspaper, a film – or a simple conversation about a film – are all “text” that can be considered rhetoric.
The contemporary rhetoric theorists all differ in their interpretations of how and why individuals perceive and share events. One of the more interesting theories presented is Ernest Bormann’s idea of “language as a symbolic convergence.” His theory presented the situation of one person in a small group making a comment about a person or event not present. He called these comments “fantasies.” He observed that these comments, when resonating with other group members, would often energize a group, causing other members to contribute information, opinions, or their own theories, resulting in a “fantasy theme.”
To understand how this theory applies in everyday life, let’s look at the example of “The Truman Show,” a film released 1998. The plot focuses around Truman Burbank, a man who lives inside the world’s most extensive Hollywood set. His entire life is a fabricated television series and he’s the only one who doesn’t know it. The film raised a lot of questions about reality, how we view our worlds, and how well we know those around us. The movie itself was good, but by no means was it an epic Hollywood film. The music was good but simple and special effects were minimal. Yet the film did very well both critically and with audiences. There was a huge buzz about the film after its release and it became a very hot topic of conversation for a while aferwards.
The appeal of this movie is very nicely explained by Bormann’s symbolic convergence theory. This particular film left a lot of room for “fantasies,” because it presented so many unanswered questions and unexplained symbols. If a small group viewed the film, afterwards someone might suggest that the film was a critique on modern day reality shows. Someone else might agree, and note the critique of commercialization in the film. Another might say that he thought the film was an effective allegory for how in real life, people often act out a role depending on how they want you to perceive them, and the first two members might agree that the theme certainly played a part in the film. As the comments chain out, the creation of a fantasy theme has already begun. This group now shares this fantasy. Rather than simply exchanging their opinions on the film’s message, they have all become actively engaged and eager to contribute to the group’s interpretation of the message. Everyone involved has shared their thoughts, and everyone will take away from the conversation insight gained from someone else’s opinion.
Anyone having had conversations about this film can probably still remember them, as the film lends itself to a lot of in depth discussion. It’s not difficult to find evidence of people’s desire to converse about this film. The Rotten Tomatoes website lists several critical reviews, and rather than simply critiquing the film’s acting or plot, nearly all reviewers offer their interpretation of what the film means. One reviewer from The Apollo Guide calls the film “a deliciously vicious and intelligent satire on the media who manipulate us, and the audience who encourages it.” Rory L. Aronsky from Film Threat discusses the religious connotations of the film in his review.
The retail site Amazon.com allows customer reviews, of which there are 454. Other films have garnered more than this, yet this is still an impressive number. Again, nearly all reviews move past simply critiquing the quality of the film and give their various impressions on what the film means. It’s somehow important for people to share with others their interpretation of the message, and many people have read the reviews, shaping their own thoughts about the film.
The reason Social Convergence Theory is important is because these shared fantasies help in the creation of identity; both the dynamic identity of the group, and the identity of the individual as he or she understands their own world and relates to others. Years later when the same group gather’s to see “The Matrix,” they will be able to draw from their conversation about “The Truman Show,” and continue to develop the same fantasy theme. This will in turn further develop their relationships with each other, and help shape their own views of reality, social structure, and film in general.
At the end of the film, Truman discovers his world for what it is and decides to leave – to live in the “real world.” Similarly, as media shapes and shifts our world, our own world view must change in order to accommodate it. Contemporary rhetoric theories can be used to better explain the current world than classical rhetoric often can, yet there’s no guarantee that they are absolute unchanging truth. Undoubtedly as the world changes theories will come and go, and Social Convergence Theory may fall out of favor for a different perspective. Yet for the time being it offers a very interesting perspective on shared social experiences and the development of these “fantasy themes.” It’s likely that elements of this theory will stick around and influence future theories that may appear, so it’s definitely worth studying and understanding.
Sources
Rotten Tomatoes Truman Show page
Apollo Guide review summary
Rory L. Aronsky review at Film Threat
Amazon.com Truman Show customer reviews